“Welcome to our Planet!”
by Shintaro Miyake
Welcome to our Planet! by Shintaro Miyake can be seen as a commentary on the ongoing environmental debate. Photo: Einar Aslaksen.
Welcome to our Planet!
- Unveiled 2006
- Materials Recycling unit, fabric, sponge, plastic
- Dimensions 250 sculptures at 11 cm; nine sculptures at 32 cm; and one large “space ship” Unikum c. 170 × 200 cm
- Artist Shintaro Miyake
- Where Show on map
Welcome to our Planet! can be seen as a commentary on the ongoing environmental debate. The artist Shintaro Miyake reminds us of how important it is to recycle to avoid environmental degradation.
Around a well-used waste station for transparent glass stand hundreds of small, red aliens. Along with the station, which has been given arms and legs, they welcome the museum’s visitors to “their” world.
Welcome to our Planet! by Shintaro Miyake. Photo: Einar Aslaksen.
Welcome to our Planet! by Shintaro Miyake. Photo: Einar Aslaksen.
Welcome to our Planet! by Shintaro Miyake can be seen as a commentary on the ongoing environmental debate. Photo: Einar Aslaksen.
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01 Ståle Kyllingstad, Installation
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02 Nils Aas, Consul Anders Sveaas, 1840-1917
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03 Nico Widerberg, Time
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04 Beate Juell, Stallion
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05 Kristian Blystad, Playing horse
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06 Bjarne Melgaard, Octopus
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07 Kjell Nupen, Stille, Stille/Mediteraneo
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08 Kjell Nupen, Mediteraneo
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09 Edgar Ballo, Blå tulipan
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10 Anne-Karin Furunes, Christen Sveaas
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11 Olafur Eliasson, Viewing machine
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12 Siri Bjerke, Mounts of the Samurai The Third Day
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13 Fernando Botero, Female Torso
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14 Tony Cragg, Articulated Column
The energy and shape of the sculpture easily give associations to the surrounding natural landscape, especially the water and the waterfall's fierce power/energy.
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15 Fabrizio Plessi, Movimenti della Memoria
This installation is placed inside the Wood Pulp Mill
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16 Elmgreen og Dragset, Forgotten Babies # 2
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17 Marianne Heske, Homage to Leo the Lion
The sculpture is placed inside the Wood Pulp Mill
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18 Shintaro Miyake, Welcome to our Planet
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19 Kristin Günther, Hesten
The sculpture is placed inside the Wood Pulp Mill
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20 Tony Cragg, I'm Alive
This sculpture, with the fitting title I’m Alive, at first glance looks like a powerful creature meandering forward.
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21 Tony Cragg, Bent of mind
Bent of Mind looks as though it is constantly growing and changing. The two profiles, which make up the sculpture’s main motive, constantly change character as you move around the sculpture to see them from different angles.
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22 Petroc Sesti, Energy-Matter-Space-Time
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23 Magne Furuholmen, Hypnos Descending
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24 Elmgreen og Dragset, Warm Regards
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25 Anish Kapoor, S-Curve
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26 Oldenburg og van Bruggen, Tumbling Tacks
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27 Thomas Bayrle, Sternmotor Hochamt
You´ll find Sternmotor Hochamt inside the Furnace House, just outside The Wood Pulp Mill
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28 Marc Quinn, All of Nature Flows Through Us
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29 John Gerrard, Pulp Press (Kistefos)
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30 Fredrik Raddum, Teddy - Beast of the Hedonic Treadmill
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31 Fredrik Raddum, Catastrophic road Signs, Sun
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32 Per Inge Bjørlo, Slektstrea, Genbanken
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33 Phillip King, Free to Frolic
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34 Jeppe Hein, Modified Social Benches Kistefos
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35 Jeppe Hein, The Path to Silence
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36 A Kassen, River Man
River Man by the artistic collective A Kassen took form as liquid bronze was poured directly into the waters of the Randselva river.
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37 Ilya Kabakov, The Ball
The installation, with its location in the midst of nature, can be seen as a commentary on man's relationship with nature.
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38 Tony Cragg, Castor & Pollux
With Castor & Pollux, Cragg takes a new and radical step in the development of the Rational Beings series. Raw muscle power and animal energy are just some of the things you experience in the encounter with this monumental work.
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39 Lynda Benglis, Face Off
Benglis visited Kistefos and became inspired by the landscape and atmosphere of the site, Scandinavian mythology, and folklore. The sculpture can be seen as partly frozen waterfall, partly giant.
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40 Yayoi Kusama, Shine of Life
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41 Mark Manders, Silent Studio
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42 Giuseppe Penone, Identity
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43 Elmgreen & Dragset, Point of View, Part 1
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44 Elmgreen & Dragset, Point of View, Part 2
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45 Tony Oursler, Scat Skat Skatt
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46 Lawrence Weiner, Stedsspesifikk skulptur
This sculpture is placed in two different locations in the park.
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47 Magne Furuholmen, The Birthright
Text and letters have always been central as a pictorial element in Furuholmen's work. What happens if you deconstruct sentences, break them down into single words or put them together in new combinations?
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48 Carol Bove, PASANASAP
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49 Ida Ekblad, A DEADLY SLUMBER OF ALL FORCES
Ekblads sculpture is a fascinating hybrid of her artistic practices. The work is a sculptural collage made of fragments from her own paintings.
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50 Pierre Huyghe, Variants
The work comprises artificial intelligence, 3D-scanned objects, living creatures and organisms, and offers something completely unique in the sculpture park.
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51 The Twist Gallery
The Twist is a gallery, a bridge, and a sculpture, all in one. The 1000 square meter building twists into a sculptural form and spans 60 meters across the Randselva river. The building was designed by the Danish star architects BIG - Bjarke Ingels Group and is named as a "must-see" cultural destination by the New York Times, Bloomberg and The Telegraph, among others.
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52 Marianne Heske, Blue
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53 Tatiana Trouvé, Bench
The essence of Kistefos is encapsulated in the sculptures, inviting contemplation and reflection. These works allude to the workers’ community which was a defining feature of Kistefos until the mid-1950s, while also mirroring distinctively Norwegian values and ruminating on the universal human experience.
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54 Tatiana Trouvé, The Guardian
Essensen av Kistefos er kapslet inn i skulpturene og inviterer til ettertanke og refleksjon. Verkene henspiller på arbeidersamfunnet som preget Kistefos frem til midten av 1950-tallet, men speiler også verdier som er særnorske og som drøfter det universelle ved det å være menneske.
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55 Kader Attia, Whistleblower
The artwork consists of six blue glass sculptures placed in the forest south of The Twist.
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56 Tone Vigeland, Skulptur I, 2022
Abstract in idiom, Sculpture I, 2022 almost seems like a distorted piece of jewellery as it changes expression every time you move around it.
